Victoria is addicted to the internet and work, and has bad relationships with her teenage kids, who live with their dad. Her life changes when her kids visit for a few days and a solar storm causes a global internet blackout.
17-year-old Lucy discovers that her mom was once a porn actress and she herself is the product of a porn accident. Together with the wrecked ex-porn star Udo Oxcox she sets out on a journey into the porn industry to search for her father. It's a trip into a strange world where she will find more than she had expected.
对于女孩瑞秋(雷文·西蒙尼 Raven Symone 饰)来说,开始大学生活等同于打开了新世界的大门,在这扇门背后的,是自由不羁的生活和真正独立自主的标志。在进入大学之前,瑞秋决定来一个“大学之旅”,在还没有决定进入哪所大学之前,她想要通过双眼,亲自见证一下不同大学中的迥异生活。
不幸的是,身为父亲的詹姆斯(马丁·劳伦斯 Martin Lawrence 饰)显然觉得自己的女儿还是一个需要他来关心和照顾的小女孩,爱女心切的他斩钉截铁的决定要陪伴女儿完成这一趟特殊的旅程。本应该轻松快乐的旅途由于詹姆斯的存在而变成了一场噩梦,瑞秋和詹姆斯之间的父女之情也受到了前所未有的考验。
Batiste also took a spin in the spotlight to announce his collaboration with Heineman on American Symphony, a feature documentary about his path to creating the stage show of the same name that debuted at Carnegie Hall last fall. The film is said to be an intimate look at his creative process and an unprecedented look at his personal life during the highs of winning five Grammy...
The last time Britain was a major force in world cinema was in the 1960s; a documentary of a few years back on the subject was entitled 'Hollywood UK'. This was the era of the Kitchen Sink, social realism, angry young men; above all, the theatrical. And yet, ironically, the best British films of the decade were made by two Americans, Richard Lester and Joseph Losey, who largely...
The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931).
Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system?
With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises.
源自:
https://iffr.com/en/iffr/2023/films/endless-border